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DARCY JOHNSON ARTIST WRITER

DARCY ELISE JOHNSON

 

If someone forwarded you this email, please subscribe here, to get my art musings in your inbox every month. I respect your privacy and value your attention.

If you want to read past issues, you can do so here.

Find me on Instagram or darcyelisejohnson.com

My November art course is full…

If you are interested in taking this course in the Spring of 2023 please contact me here. I will keep you up-to-date on my course offerings.

ABSTRACT DRAWING WITH MIXED MEDIA

Two Sundays…November 6th and 11th (2022) from 1-4 pm.

In this 6 hour course, we will explore abstract drawing with colour that may include painting and collage. During experimenting with mark-making, value, colour, and composition, we will talk about why we are attracted to abstraction in art and how it reveals our individuality. We will explore the joy and discovery of mark-making materials, personal visual language in abstraction and composition. Everyone welcome. No previous experience necessary!

Below are examples of my own abstract drawing process…

The beginning of a drawing…

another starting point….

A drawing underway…

Almost finished… I need to slow down and observe this one for a while…. I will likely go in and paint out different areas to give it more structure.

 

Recent thoughts about why we do art…

Lately, I began to study the conceptual artwork of Song Dong who lives in Beijing and has exhibited his art installations globally. Song Dong’s work is about personal connection and memory and has often been done in collaborated with his wife, Yin Xiuzhen who is also a conceptual artist.

I first saw Dong’s work at the Vancouver Art Gallery years ago called ‘Waste Not’. It was a huge installation of his mother’s house that he systematically dismantled and organized. His mother became a hoarder after the trauma of losing her husband, Song’s father. Dong saw his mother’s collection as a way of moving through grief. This exhibition helped me understand the significance of the ordinary objects.

Dong’s mother collected for example, empty toothpaste tubes and worn out shoes. After seeing this installation I sensed that the mundane is what we long for when we need comfort. As my life extends into loss, I think of that more and more often.

‘Waste Not’, installation by Song Dong. Here is a short video with Dong talking about this piece.

Song Dong’s more recent works are intriguing. He draws on stone using brushes dipped in water. As the water evaporates, the images slowly disappear, leaving no trace of the brushwork. This is a lot like living our lives. We must hold onto a memory even when its source has gone. Art can be seen as a tracery of our past.

This work is discussed in this article in the ‘The Allure of Matter’.

‘Water Records’ by Song Dong. Here is a short interview with Dong about the nature of water.

Song Dong talks about ‘Sheng’ …. the concept that “everything is in constant development, a kind of continuation”. I interpret this idea as ‘flux’, ‘change’ or ‘evolution’. These terms can be distilled into one word… ‘time’.

My vocabulary comes from both my personal and cultural experience. It is steeped in the processes of the natural world that I have studied and longed to understand.

As my life evolves, so does the complex mental framework I use to understand the world and myself. My own art is the most important way I express these insights. I am comfortable with the ambivalence of art. It is necessary because it reminds me that life is neither black or white but always grey… always in complex patterns.

Art can teach us that nothing is simple… everything is layered with the past and there is so much we need to yet discover that is not obvious at first glance. We may look to art for many things such as…

holding onto joy and beauty,

confronting pain and loss,

or slowing the relentlessness of time

with all it removes and all it offers.

Art is about life. Life cannot be without change. Art captures our individual experience of moments in time and then it can become a collective idea. It is difficult to draw a boundary between the personal and the social… it’s all a mash-up.

I want to end with another Song Dong quote: ‘We paint something, we write something, because we want to remember it’

What do you want to remember? Contact me here with you answer.

Speaking of memory… here is a drawing from over 10 years ago…

‘Waiting’, 14 X 18 inches, charcoal and gauche on paper. If you are interested in commenting, contact me here.

 

This is a piece I did in Stuttgart Germany in 2012.

Today, I went hunting for something I had done in the past that reflected my present work…and there it was!!! buried in a pile of drawings I hadn't looked at for years.

In my search, I found many paintings and drawings that were quite different from what I do now. But it is clear that this style was in me then… lurking around the edges of my art practice, waiting for a moment to move into the spotlight.

My ideas about the creating art are always being challenged. Art-making is not a linear process it … the visual ideas hang around inside of us…sometimes in a whisper or sometimes a shout.

 

I am grateful to be able to work, play and create on the traditional territory of the Snuneymuxw First Nation.

Thank you for whatever you do to make this world a better place everyday.

 

DARCY ELISE JOHNSON

 

Darcy Elise Johnson Art, 101-555 Franklyn Street, Nanaimo, BC, Canada

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